GOOGLE BOOK ER CHROME EXTENSION
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Ghostery is a powerful privacy extension. Block ads, stop trackers and speed up websites. Privacy practices of apps, extensions, themes, services, and other add-ons. Look under the hood of Google Chrome in this comics interpretation of key engineering decisions with art by Scott McCloud.
Lucian Gregory, the anarchic poet, connected the two events. You say you are a poet of law; I say you are a contradiction in terms. I only wonder there were not comets and earthquakes on the night you appeared in this garden.
Gregory resumed in high oratorical good humour. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions.
The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway. I will tell you.
It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach.
It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it.
We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad.
But man is a magician, and his whole magic is in this, that he does say Victoria, and lo!
No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!
You say contemptuously that when one has left Sloane Square one must come to Victoria. I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. It is to me the cry of a herald announcing conquest. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt.
You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Revolt in the abstract is—revolting. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars—the most poetical thing in the world is not being sick.
With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. Do you mean what you say now?
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Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means—from sheer force of meaning it. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one.
And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety.
All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world.
To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over.
And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night.
For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised in some odd way that the silence was rather a living silence than a dead one.
Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him.
About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned.
About what? Gregory struck out with his stick at the lamp-post, and then at the tree. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself—there is anarchy, splendid in green and gold.
I wonder when you would ever see the lamp by the light of the tree. Gregory began in a smooth voice and with a rather bewildering smile. You did something to me that no man born of woman has ever succeeded in doing before.
The captain of a penny steamer if I remember correctly at Southend.
You have irritated me. If I struck you dead I could not wipe it out.
There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to prove to you that you were wrong in what you said.
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You do not think that in a deeper, a more deadly sense, I am serious. Are these damned Chinese lanterns serious? Is the whole caboodle serious?
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