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Spirited Away 2 Pdf

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2. THE LISTENING / READING SCRIPT. From: wildlifeprotection.info /wildlifeprotection.info Spirited Away is a Japanese animated fantasy-. Get Free Read & Download Files Spirited Away Vol 2 PDF. SPIRITED AWAY VOL 2. Download: Spirited Away Vol 2. SPIRITED AWAY VOL 2 - In this site isn`t . Spirited Away Volume 1 Hayao Miyazaki - [PDF] [EPUB] Spirited Away Concept Design 2 Neville Page Titan Concept Review Compound.

This reflects the typical Eastern philosophy, that of Vedas or Yin Yang. This becomes quite apparent in the scene of the cleansing of the River Spirit or Kawa no Kami. Though at first Yubaba and most of the bathhouse employees seemed antagonistic to Chihiro. Also after cleansing the river spirit, we see everyone cheering and celebrating, and Yubaba also hugs and praises highly of Chihiro. Though it might be for the self-interest of Yubaba, yet for a moment we see the boundary between good and evil flutters, like a typical Miyazaki signature.

The scene is also important, depicting the bond of human soul with the cosmos and nature. Especially which is found in the Pagan religions of Asia. There is a river close to where I live in the countryside. When they cleaned the river we got to see what was at the bottom of it, which was truly putrid. In the river there was a bicycle, with its wheel sticking out above the surface of the water.

So they thought it would be easy to pull out, but it was terribly difficult because it had become so heavy from all the dirt it had collected over the years. Now they've managed to clean up the river, the fish are slowly returning to it, so all is not lost. But the smell of what they dug up was really awful. Everyone had just been throwing stuff into that river over the years, so it was an absolute mess..

Though he performs the role of a carnivorous monster in the bathhouse, but as soon he steps out, he becomes an entirely different person, and accompanies Chihiro to her journey to the Swamp Bottom. Zeniba states that she and Yubaba are two halves of the whole. However it is clear from the story that none is purely evil or good, but a mix of both. Like the Chinese Yin Yang.

The film is also about finding one's own identity in the world. Yubaba erases people's identity to enslave them. Chihiro doesn't give herself away to servitude because she was able to remember her true name. This importance of name and identity also becomes important, when we observe that the very moment Haku gets to know his real name, his dragon form fades away and he returns to his real body.

While the film is not just about Chihiro receiving help from others to survive, this film also depicts her providing aid to others as well. Chihiro not just saves the bathhouse from the crisis originated during the visit of the Stink Monster, but also she tries her utmost to save Haku. Chihiro also guides the unconscious psyche of Haku.

Haku conveys to Kamji that he kept hearing Chihiro's call while he was unconscious, which eventually saved him. Both the surreal and metaphorical significance of this scene leaves a profound impact. All the other passengers in the train are appeared to be sombre and transparent. It might signify the inter-dimensional passageway through which the train passes. Which signifies that, everyone is real at some point or some reality, and also at some point they aren't.

This implies on the individual definition and perspective of reality.

"So, what are we going to do about this?" asked Kamajii.

While all the passengers look kind of tired and sloppy, the clothes signify their belonging to the working class. While Chihiro's parents represent the bubble economy, which gave birth to hedonistic consumer based culture, the passengers in the train signify the labour class struggle, which ultimately leads Chihiro to maturity. The scene has dominant similarities with Ray's Apu trilogy.

Again in this part, we see the silhouette of a little girl waiting for someone. We cannot state surely whether it is Chihiro's own soul waiting for self revelation. However it bears uncanny resemblance with the famous scene in Miyazaki's film My Neighbour Totoro, where Satsuki waits for her father along with Mei.

Chihiro becomes Sen, and then Chihiro again. Yubaba manipulates people by stealing their real name. Haku waves between his humanoid form and dragon form, while he gains his freedom by knowing his true name and identity as a river spirit, Nigihayami Kohaku Nushi. Kaonashi appears to be a lost soul and horrific monster accordingly.

Baby-Boh is cursed to become a mouse, and goes through a massive transformation which is no less than the protagonist. This element of dualism is perhaps hinted at the beginning when we see the two faced stone statue at the entrance. Compared to several of the other characters, Chihiro achieved far greater results and learned much more, for the better. To show this change, the idea of pairs and double meanings was used by Miyazaki as a subtle element in the film. However, in Spirited Away, water connects not only with main characters but also with the rite of passage for Chihiro.

Hence, this film provides a certain sense of nostalgia and longing. I believe nostalgia has many appearances and that it's not just the privilege of adults. An adult can feel nostalgia for a specific time in their lives, but I think children too can have nostalgia. It's one of mankind's most shared emotions.

It's one of the things that makes us human, which is what makes it difficult to define. It was when I saw the film Nostalgia by Tarkovsky that I realised that nostalgia is universal. Even though we use it in Japan, the word 'nostalgia' is not a Japanese word.

The fact that I can understand that film even though I don't speak a foreign language means that nostalgia is something we all share.

When you live, you lose things. It's a fact of life. So it's natural for everyone to have nostalgia. And it will continue to allure and ridicule critics and viewers with its enigmatic enchantment for many years to come.

Samson, B. Pademiningsih, S. Miyashita, H. Kono, S. Petkova, G. Chen, J. Mes, T. Columbia University Press.

Miyazaki, H. The Art of Spirited Away. Robinson, J. The Cinema of Hayao Miyazaki. Crescent Moon Publishing. Yamagawa, K. Jesse, R. Hayao Miyazaki.

Miyazaki's Spirited Away Picture Book

Studio Ghibli. Kamera Books. Character What problem did the character How did they resolve them? At the end of the film she is excited about going to a new school and making new friends, is no longer frightened. Are there any similarities between you and Chihiro?

If you were a creature in the film what you would you look like and what would you do? Life in Japan Miyazaki chose to set the film in a bathhouse, an important place where people go to relax in large hot tubs. Most of the characters wear a Kimono, the traditional dress. Japanese writing, lanterns and masks can also be seen in the film. All these things are examples of Japanese culture.

Where is Japan? How many people live there? What is the weather like? What do they eat? Use the school library to do some research.

The River God In Japan for thousands of years, people have believed that gods and spirits live all around them in the rivers, the trees and houses. Miyazaki used these beliefs and his own experience of helping to clear a river near his home that had become filled with waste, to create the smelly Stink Monster.

The character is actually a River God who has become bunged up with grime, pollution and rubbish from the polluted river. Label the pictures with the reasons the creature became so dirty and what can be done to keep him clean. Put together a newsletter or poster for your school reminding people to put litter in the bin and to keep the school tidy. Haku The character of Haku cannot remember where he came from, so is unable to go back home.

As the story unfolds, Chihiro and Haku realise that he is actually a River Spirit, and has been unable to go back because the river he used to live in, has been filled so new apartments can be built. How would you feel if you where Haku? Research your local area and find out what it was like 20 years ago. What countryside has been built on? Look at old maps and compare how it looked then and how it looks now. Go on a trip with your class walk round the local neighbourhood with your class and try making a list of old and new buildings are some currently being built?

Now draw a map or ariel view of what you think the area will look like in another 50 years. Unauthorised reproduction or redistribution strictly prohibited. Related Papers.

This story takes place 12 years after Chihiro first went to the spirit world. I hope you enjoy it. The world was full of amazing things. Chihiro Ogino knew that better than anyone. She had seen them. No, scratch that, she had lived them. It may have been 12 years ago, but she could never forget what had happened all those years ago. She had stumbled upon a magical land. No, a magical world. It was a place of mystery, excitement, and danger.

It was the spirit world. Not the spirit world as in the life after death, but a whole other universe, inhabited by witches, wizards, demons, monsters, and, of course, spirits. It seemed like a dream, a wild fantasy world from the imagination of a child, but it was real.

Chihiro was certain of that. She had the proof with her even now. Although no one would think that a simple hair band was proof of the spirit world. But it was real to her, and that's all that mattered.

She remembered the day she received the hair band. She remembered everything about that world, and she missed it. But most of all, she missed him. Who was he, no one would believe her if she told them. He was the one who saved her those 12 years ago. He was the one who helped her rescue her parents and return them all home. He was the one she dreamed about almost every night. It had been 12 years since they've seen each other.

Twelve long lonely years, and not even the smallest sign of the river spirit. He had promised they would see each other again. He had promised! But where was he? And where was the world that she had come to love even more than her own. Her first experience in the spirit world had been terrifying as well as exciting.

She and her parents had been on their way to their new home when they accidentally stumbled into the place that would change her forever. She remembered how scared she had been. Any 10 year old would be terrified by what had happened.

Her parents, unaware of what they were getting themselves into, had eaten the food meant for the spirits. They gobbled it up like pigs. As punishment, the witch in charge of the land, Yubaba, had turned them into pigs. Chihiro had been left all alone in the spirit world, lost, confused, and scared to death. But then he came to her. He comforted her and helped her through this difficult time.

Following his instructions, Chihiro had gone to the bathhouse owned by Yubaba and received a job. The old witch stole her name, changing it to Sen. She was put to work with the other spirits in the bathhouse. With the help of Haku, along with two other spirits, Lin and Kamajii, she managed to get become useful enough to be considered a good enough worker to stay in the bathhouse. That was until she had accidentally let in a monster named No-Face, who caused a great deal of damage to the bathhouse.

Yubaba wasn't happy about her 'guest's' behavior. And if things weren't bad enough, the old witch had sent Haku on a mission to steal her twin sister's magic gold seal. But Yubaba's sister, Zeniba, had placed a powerful protective spell on the seal to prevent it from being stolen.

As Haku slowly died, No-Face continued to wreck havoc upon the bathhouse. And to make matters worse, Yubaba's son, a foot baby, had tried to force Chihiro to play with him, which resulted in him being turned into a mouse by Zeniba. Things began looking up after that though.

After retrieving the golden seal from Haku, Chihiro managed to lure No-Face and get him out of the bathhouse. Once outside, the monster, became quite peaceful and friendly. Chihiro, No-Face, and Yubaba's son, still in mouse form, then took the train to Zeniba's house to return the golden seal and apologize for Haku.

As it turned out, Zeniba was quite nice. She had welcomed Chihiro into her house and had even given her the hair band she now wore. After everything was as it should be, Haku arrived at Zeniba's house, once again in perfect health. It was then that Chihiro realized who Haku really was. Just like Yubaba had done to her, the old witch had stolen Haku's name. But Chihiro knew what it was, and with his name restored to him, the river spirit was able to break free from Yubaba's spell.

When they returned to the bathhouse, Chihiro discovered that Yubaba and Haku had made an agreement to return her and her parents back to the spirit world if she passed one final test, which she did.

Chihiro's contract was torn up, or completely obliterated to be precise, and she and her parents got to go home. Chihiro sighed. Not for the first time did she find herself wishing that she had failed Yubaba's test. Not that she wanted her parents to remain pigs, but she wished she could have stayed.

She hadn't realized it back then, but as the days went by, Chihiro began to realize that her home was the place she had just left. She missed everyone so much, even the old hag Yubaba. Oh, what she would do to go back to the spirit world.

Or better yet, to be able to go back in time and prevented herself from leaving to begin with. Chihiro snapped back to reality as the person next to her spoke to her. She turned red with embarrassment as she realized she had gone off into another daydream again.

She was supposed to be concentrating. She was in class right now and needed to keep her mind open. Chihiro was currently attending college. She was majoring in the field of art. She was a very good drawer as well as painter. Strangely enough, she specialized in drawing dragons. In fact, that's exactly what she was drawing now.

Her drawing was very good indeed, and very detailed. It was the drawing of a large dragon bursting up from out of a river, with a young girl of 10 on its back.

Miyazaki's Spirited Away Picture Book

Several strange creatures stood on the edge of the riverbank. Two old women that looked exactly alike, although one looked grouchy, stood next to a very large baby. A spider like man stood a short distance away surrounded by small black spots with eyes. Feeding these little puffballs was a woman in her late twenties. And next to her stood a shadowy black figure, wearing a mask over his non-existing face. You must have known what you were drawing.

I see you used your favorite dragon again. So what do you call this one? Chihiro laid her drawing down. Mimi rolled her eyes. I can't believe you love a river you almost drowned in. I'd be scared to death of it. Although I still don't understand what the big deal is. Class ended a few minutes later. Chihiro packed her things up and got ready to head home. No, not home. Her home was the spirit world.

She saw the small apartment she lived in now as her current residence, not her home. No place had ever felt like home since she left the spirit world, and she had the feeling that nowhere ever would. Chihiro wanted desperately to return to the spirit world. She had tried on several occasions. She had walked down the path that led to the spirit world so many times that she was surprised it didn't have a groove in it. But no matter how many times she walked down that path, she never came out in the spirit world.

Twelve years. It had been twelve years! How much longer was Haku going to keep her waiting? Did he even remember his promise? Had he just said they would see each other again to make her leave? Chihiro didn't want to believe that.

She wanted to believe Haku truly meant what he said.So they thought it would be easy to pull out, but it was terribly difficult because it had become so heavy from all the dirt it had collected over the years.

But where was he? Spirited Away [Motion Picture]. These pictures do truly represent the flaws and follies of modern society. That was until she had accidentally let in a monster named No-Face, who caused a great deal of damage to the bathhouse.

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