V FOR VENDETTA SCREENPLAY PDF
V for Vendetta (). by Larry and Andy Wachowski. Based on the graphic novel by Alan Moore. More info about this movie on wildlifeprotection.info Simply the largest collection of pdf screenplays. V FOR VENDETTA () Larry and Andy Wachowski [2nd] · Valentine's Day () · vanillasky. V for Vendetta >. -‐ Remember, remember The 5th of November The gunpowder treason and plot I know of no reason why the gunpowder treason should ever.
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V for Vendetta () Movie Script - Download as PDF File .pdf), Text File .txt) or read online. Screenplay Shrek - Download as PDF File .pdf), Text File .txt) or read online. Shrek. Documents Similar To Screenplay Shrek V for Vendetta Screenplay. V for Vendetta, by Larry and Andy Wachowski (Based on the graphic novel by Alan wildlifeprotection.info, may 31, production draft script in pdf.
He said if we ran away, they would win. Win, like it was a game. Artists use lies to tell the truth, while politicians use them to cover the truth up.
I wish I believed that was possible. But every time I've seen this world change, it's always been for the worse. Valerie Page[ edit ] I hope that the world turns and things get better.
But I hope most of all that you understand , that even though I will never meet you, laugh with you, cry with you, or kiss you, I love you. With all my heart , I love you. I know there's no way I can convince you this is not one of their tricks, but I don't care; I am me. My name is Valerie. I don't think I'll live much longer, and I wanted to tell someone about my life.
This is the only autobiography I'll ever write, and God - I'm writing it on toilet paper. I was born in Nottingham in I don't remember much of those early years, but I do remember the rain.
My grandmother owned a farm in Tuttlebrook, and she used to tell me that God was in the rain. I passed my 11th lesson into girl's grammar. It was at school that I met my first girlfriend. Her name was Sara. It was her wrists. They were beautiful.
I thought we would love each other forever. I remember our teacher telling us that it was an adolescent phase people outgrew. Sara did. I didn't. In , I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand.
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My father wouldn't look at me; he told me to go and never come back. My mother said nothing. But I had only told them the truth.
Was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in I starred in my first film, The Salt Flats.
It was the most important role in my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew scarlet carsons for me in our window box, and our place always smelled of roses.
Those were the best years of my life. But America's war grew worse, and worse … and eventually came to London. After that, there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like "collateral" and "rendition" became frightening, while things like Norsefire and the Articles of Allegiance became powerful.
I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.
It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologised to no-one.
I shall die here. Every inch of me will perish. Every inch but one. An inch … it is small, and it is fragile, but it is the only thing in the world worth having.
We must never lose it or give it away. We must never let them take it from us. I hope that, whoever you are, you escape this place. I hope that the world turns, and that things get better.
But what I hope most of all is that you understand what I mean when I tell you that, even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you, I love you. With all my heart, I love you. Delia Surridge[ edit ] [Notes from her covert journal, whom Finch reads] May My first batch of subjects arrived today, and I have to admit that I am very excited.
This could be the dawn of a new age. Nuclear power is meaningless in a world where a virus can kill an entire population and leave its wealth intact May Commander Prothero toured the lab with a priest, Father Lilliman, who I was told is here to monitor for rules and rights violations. It made me nervous, but the commander assured me there wouldn't be a problem. June 2. I kept wondering if these people knew how they might be helping their country, if they would act any differently.
They're so weak and pathetic. They never look you in the eye. I find myself hating them. August the 18th. Of the original four dozen, over 75 percent are now deceased. No controllable pattern has yet emerged. September the 18th. There is one case that continues to give me hope. He exhibits none of the immune system pathologies the other subjects developed. I've discovered cellular anomalies in his blood that I've been unable to categorise.
The mutations seem to have triggered the abnormal development of basic kinaesthesia and reflexes. The subject said he could no longer remember who he was or where he was from. Whoever he was, he is now the key to our dream, and the hope that all of this will not have been in vain.
November the 5th. It started last night, around midnight. The first explosions tore open the entire medical section. All my work, gone. I was trying to understand how it could've happened when I saw him. The man from room five. He looked at me. Not with eyes. There were no eyes. But I know he was looking at me because I felt it. Oh my God Lewis Prothero[ edit ] First BTN Speech[ edit ] So I read that the former United States is so desperate for medical supplies that they have allegedly sent several containers filled with wheat and tobacco.
A gesture, they said, of good will. You want to know what I think? Well, you're listening to my show, so I will assume you do.
I think it's high time we let the colonies know what we really think of them. I think it's payback time for a little tea party they threw for us a few hundred years ago.
I say we go down to those docks tonight and dump that crap where everything from the Ulcered Sphincter of Arse-erica belongs.
Who's with me?
V for Vendetta (2005)
Who's bloody with me? Did you like that? I mean, what else can you say? Here was a country that had everything, absolutely everything, and now, 20 years later, is what?
The world's biggest leper colony. Let me say that again: Godlessness. It wasn't the war they started. It wasn't the plague they created. It was judgement. No-one escapes their past.
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No-one escapes judgement. You think He's not up there? You think He's not watching over this country? How else can you explain it? He tested us, but we came through. We did what we had to do. Islington, Enfield. I was there. I saw it all. Immigrants, Muslims, homosexuals, terrorists, disease-ridden degenerates. They had to go! Strength through unity, unity through faith! I'm a God-fearing Englishman and I am god-damn proud of it!
The only part of his second BTN speech ever seen or heard. I'll tell you what I know. I know this is not a man. A man does not wear a mask. A man does not threaten innocent civilians. He's what every gutless, freedom-hating terrorist is: a god-damn coward! First part of his third BTN speech. There will be no negotiation, Roger. When I arrive in the morning, the Paddy will be gone.
I'm looking at the tape right now, and he has no idea how to light me. My nose looks like Big fucking Ben! Listen to me, you bleeding sod. England prevails because I say it does! And so does every lazy cunt on this show, and that includes you!
Unheralded Scene: V FOR VENDETTA (2006)
Find another DOP, or find yourself another job! I wish I'd had the chance for a face-to-face. Just one chance, that's all I need. Second part of his third BTN speech, before V breaks into his home This so-called "V" and his accomplice, Evey Hammond, neo-demagogues, spouting their message of hate.
A delusional and aberrant voice, delivering a terrorist's ultimatum. An ultimatum that was met with swift and surgically precise justice. This violent and unparalleled assault on our security will not go undefended.
Or unpunished. Our enemy is an insidious one, seeking to divide us and destroy the very foundation of our great nation.
Tonight, we must remain steadfast. We must remain determined. But most of all, we must remain united. Those caught tonight in violation of curfew will be considered in league with our enemy and prosecuted as a terrorist without leniency or exception.
Tonight, I give you my most solemn vow: that justice will be swift, it will be righteous, and it will be without mercy! Dialogue[ edit ] There are no coincidences, Delia. Only the illusion of coincidence. I suddenly had this feeling that everything was connected.
It was like I could see the whole thing; one long chain of events that stretched back to before Larkhill. I felt like I could see everything that had happened, and everything that was going to happen… With so much chaos, someone will do something stupid. And when they do, things will turn nasty. And then, Sutler will be forced do the only thing he knows how to do. At which point, all V needs to do is keep his word.
And then What you have are bullets and the hopes that when your guns are empty, I'm no longer standing. Because if I am, you'll all be dead before you've reloaded. V: I can assure you, I mean you no harm.
Evey: Who are you? V: Who? Who is but the form, following the function of what, and what I am is a man in a mask. Evey: Well, I can see that. V: Of course you can. I'm not questioning your powers of observation, I'm merely remarking upon the paradox of asking a masked man who he is. Evey: Oh, right.
V: But on this most auspicious of nights, permit me then, in lieu of the more commonplace sobriquet, to suggest the character of this dramatis persona. In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate.
This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valourous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition! Laughs wheezily Verily, this vichyssoise of verbiage veers most verbose, so let me simply add that it's my very good honour to meet you and you may call me V.
Evey: Are you like a crazy person?
V: I am quite sure they will say so. But to whom may I ask am I speaking? Evey: I'm Evey. V: Evey? E-V — of course you are.
Evey: What do you mean by that? V: It means I, like God , do not play with dice , and do not believe in coincidence. Are you hurt? Sutler: Gentlemen, you have had four hours, you had better have results. Mr Creedy? Peter Creedy: The Bailey area is quarantined, and all significant witnesses have been detained.
Sutler: Good. Mr Etheridge? Brian Etheridge: A recording device was found wired into the central emergency broadcast system. Sutler: Add it to the blacklist. I never want to hear that music again. Etheridge: Yes, sir. We also doubled our random sweeps and are monitoring a lot of phone surveillance, indicating a high percentage of conversation concerned with the explosion. Sutler: Mr Dascombe, what are we doing about that? Roger Dascombe: We're calling it an "emergency demolition".
We have spin coverage on the network and throughout the InterLink, and several experts have been lined up to testify against the Bailey's structural integrity. Sutler: I want Prothero to speak tonight on the dangers of these old buildings and how we must avoid clinging to the edifice of a decadent past.
He should conclude that the New Bailey will become the symbol of our time and the future that our conviction has rewarded us. Mr Heyer? Conrad Heyer: Our surveillance cameras captured several images of the terrorist, though the mask obviously makes retinal identification impossible.
We also managed to get a photo of the girl that Creedy's men were detaining. Sutler: Who is she, Mr Finch? Eric Finch: Not sure, yet, sir, but we're working on several leads.
Sutler: Anything else? Finch: We located the fireworks launch and found traces of the explosives used at both sides. Unfortunately, it appears that despite the massive amount of sophistication, these devices were homemade with over-the-counter chemicals, making them very difficult to trace. Whoever he is, Chancellor, he is very good.
Sutler: Spare us your professional annotations, Mr Finch. They are irrelevant. Finch: Apologies, Chancellor. Sutler: Gentlemen, this is a test. Moments such as these are matters of faith. To fail is to invite doubt into everything we believe, everything that we have fought for.
Doubt will plunge this country back into chaos, which is the last thing we want, and I will not let that happen. Gentlemen, I want this terrorist found, and I want him to understand what terror really means.
England prevails! Party leaders: England prevails. Dascombe: Well, why not? This is the BTN. Our job is to report the news, not fabricate it. That's the government's job. Her parents were political activists. They were detained when she was Dominic: What happened to her? Finch: Juvenile reclamation project. For five years. We're going to need backup, but keep it minimal.
Dominic: You sure about that, sir? Finch: I just want a chance to talk to her before she disappears into one of Creedy's black bags. Evey: What is this place? V: It's my home. I call it the Shadow Gallery. Evey: It's beautiful V: Oh, here and there.
Most of it from the vaults of the Ministry of Objectionable Materials. Evey: You stole them?
V: Oh, heavens, no. Stealing implies ownership. You can't steal from the censor; I merely reclaimed them. Evey: God, if they ever find this place.. V: I suspect if they do find this place, a few bits of art will be the least of my worries. Evey: You mean, after what you've done? God, what have I done? I Maced that detective. Why did I do that? V: You did what you thought was right.
Evey: No. I shouldn't have done that. I must have been out of my mind. Especially frustrating are the numerous cheap shots at Christianity, clearly seen as part of the oppressive force. The motto of Sutler's government is, "Strength through unity, unity through faith," its symbol a modified crucifix. Sutler himself is described a man with deep religious convictions who rose to power with the iron fist of fear.
At the film's start is a completely unsympathetic, rabid television pundit that's part Bill O'Reilly, part Pat Robertson, viscously blaming society's problems on godlessness and lack of religion.
V kicks some Brit bum, but this isn't primarily an action film We might all feel differently if Nazis really did have a stranglehold on our society, but is violent anarchy really the answer—correcting one extreme with another?
V for Vendetta seems to be equating "terrorist" with "revolutionary," and despite some small attempts in the script intended to show V as morally ambiguous, the reality is that he's still depicted as the charming and sympathetic hero whose courageous actions we are to embrace at the film's end.
It's unfortunate, because the film has much to admire and enjoy, but what could have been a meaningful parable about individual freedoms comes off as heavy-handed politicizing that doesn't quite add up. Though the film will earn its fans, many will go in expecting to be entertained by action, only to leave feeling vilified by thin propaganda. V for Vendetta may not exactly deliver what it advertises, but it does stay true to its title.
Talk About It Discussion starters V tells Evey that people shouldn't be afraid of their governments, but rather that governments should be afraid of their people. Do you agree? Why or why not? The totalitarian Britain depicted in the film clearly needs reform. Is violence a necessary tool for instigating change in such a society?
What's the difference between a terrorist and a revolutionary? What do you suppose is meant by the phrase, "God is in the rain," in the film? Do you feel it's more in keeping with Christian beliefs or other religions? Consider the growth of Evey's character. How is she able to overcome fear to become stronger? What keeps her going when she is imprisoned?
Is this similar or different to a Christian's transformation in spirit? Do we find strength from brokenness in the same way? Is V's quest for justice justified by any means? What are some alternative plans he could have enacted? Do you agree with the political suppositions of the graphic novel and film? Are our democratic societies on the path to oppression and totalitarianism?
The Family Corner For parents to consider V for Vendetta does include some language, but primarily earns its R rating for a few scenes of strong violence, primarily the bloody results of V's proficiency with knives and swords. Though based on a "comic book," this is not a movie for kids. It's clearly geared to adults considering the political themes and adult situations rooted in social injustice, prostitution, homosexuality, and death camps.
Kids would likely be bored with this film's emphasis on dialogue over action anyway. Click for reprint information. Some members of the Christian media are treating V for Vendetta as an offensive and "vile" piece of work, while others are celebrating it as a film about moral responsibility, featuring an inspirational Christ figure.
Who's right? There's no denying that the plot is made of volatile elements. The famed graphic novel by Alan Moore and David Lloyd was composed as a fantasy commenting on the policies of British prime minister Margaret Thatcher in the s. But Larry and Andy Wachowski have joined with newcomer James McTeigue to update the story—and their revisions have resulted in a subversive, dangerous tale. V, the rebellious hero played by Hugo Weaving The Matrix, The Lord of the Rings , is winning viewers' affections by lashing out against this fascist authority.
Donning a Guy Fawkes mask, he strikes back at the empire, using knives and explosives. Natalie Portman portrays the disillusioned citizen who just might learn to be a terrorist herself, and together they aim higher and higher, until London's Parliament building becomes their ultimate target. Liberation stories are usually cause for celebration. And the government in this fantasy is certainly oppressive and cruel, practically begging its citizens to revolt.
But these heroes are awfully quick to embrace violence, without much talk about other forms of protest. Should this behavior be encouraged? Vendetta's filmmakers sidestep the issue of whether bombing buildings might claim innocent lives. Many critics defend Vendetta as a timeless sci-fi tale, and it does have the basic structure of a myth about the consequences of oppression.
But the filmmakers have gone to too much trouble to make it clear who they hate and what they want viewers to do about it. Can we agree with the storytellers, that fascism is evil, even if it is carried out under the sign of the cross? But are they guilty of encouraging their own brand of intolerance? Vendetta's storytellers associate their villains with resistance to Islam, with enforcement of "homeland security," and with objections to homosexuality. It leaves no middle ground: If you are associated with these things, Vendetta implies that you are also in favor of censorship, bigotry, hate, torture, and Holocaust-style executions.
While it isn't hard to find evidence of abuses of power in today's democratic governments, it's a bit of a stretch to compare England and the U. If you're bracing for the May release of The Da Vinci Code, which portrays the church as a conspiracy to dupe humanity, well, this V beats Da Vinci to the punch, revealing the church as a partner-in-crime with a devilish government.
And, of course, the bishop is reveling in pedophilia behind the scenes. Here's another film campaigning for "tolerance" while it wants us to believe that unfortunate exceptions are, in fact the rule. It reinforces cruel caricatures and throws fuel on the fire of intolerance toward Christians.
There is no attempt made to suggest that Christianity might be, at heart, about something more desirable than oppression and sexual prejudice.Unheralded Scene: Her bedroom door bursts open and a heavily armed soldier scoops her up. You love your country and you love your party. A violet carson. All moving in perfect unison. An intercom opens. That is the heart and soul of fascism.
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