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History Of Italian Renaissance Art Painting, Sculpture, Architecture Hartt, Frederick 7th Ed 2011

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Actions Shares. Embeds 0 No embeds. Oxford: Clarendon Press, Beck, James H. Masaccio: The Documents. New York: J. Augustin, Borsook, Eve. London: Phaidon Press, second edition Brilliant, Virginia, and Frederick Ilchman, eds. London: Scala, Los Angeles: J.

Paul Getty Museum, Lorenzo Lotto: Rediscovered Master of the Renaissance. Brown, David Alan, ed. Venetian Narrative Painting in the Age of Carpaccio.

Chiodo, Sonia. Florence: Giunti, Christiansen, Keith. Gentile da Fabriano. Andrea Mantegna, Padua and Mantua. New York: George Braziller, Cocke, Richard. Masaccio and the Art of Early Renaissance Florence. Bloomington: Indiana University Press, Sienese Painting in the Age of the Renaissance. New York: Icon Editions, Titian and Venetian Painting, — Boulder: Westview Press, Crowe, J. London: J. Murray, Dempsey, Charles. Ekserdijan, David. Emison, Patricia A. New York: Garland Publishing, Fiorenza, Giancarlo.

Freedberg, S. Andrea del Sarto. Painting in Italy, — Freedman, Luba. Friedlander, Walter. New York: Columbia University Press, Gadol, Joan. Garrard, Mary D. Geronimus, Dennis. Piero di Cosimo: Visions Beautiful and Strange. Giovanni Bellini. Norma Broude and Mary D.

Garrard, — Masaccio's Trinity. Gould, Cecil. New York: Abbeville Press, Hansen, Morton Steen. Giulio Romano.

Hirschauer, Gretchen, and Dennis Geronimus, eds. Hirst, Michael. Sebastiano del Piombo. Hood, William. Fra Angelico at San Marco. Hope, Charles. Giorgione or Titian?

History of a Controversy. New York: The Frick Collection, Horster, Marita. Humfrey, Peter, ed. The Cambridge Companion to Giovanni Bellini. Humfrey, Peter. London: Chaucer, Titian: The Complete Paintings. Gent: Ludion distributed by Harry N. Abrams , Jacobs, Frederika Herman.

[PDF Download] Art in Renaissance Italy (4th Edition) [Read] Online

Cambridge: Cambridge University Press, The Living Image in Renaissance Art. Joannides, Paul. Masaccio and Masolino. A Complete Catalogue. London: Phaidon Press, Kasl, Ronda, ed. Giovanni Bellini and the Art of Devotion. Indianapolis: Indianapolis Museum of Art, Ladis, Andrew.

Lavin, Marilyn Aronberg. Piero della Francesca and His Legacy. Early Renaissance. Harmondsworth, England, and Baltimore: Penguin Books, High Renaissance. Lewine, Carol F. Lightbown, R. Sandro Botticelli: Life and Work. Piero della Francesca. Carlo Crivelli. Loh, Maria. McIver, Katherine A. Maiorino, Giancarlo. Meilman, Patricia, ed. The Cambridge Companion to Titian. Nichols, Tom.

Tintoretto: Tradition and Identity. London: Reaktion Books, Offner, Richard. Andrew Ladis, — Problems in Titian, Mostly Iconographic. Polzer, Joseph. Puttfarken, Thomas. Reiss, Jonathan B. Doornspijk, The Netherlands: Davaco, Rosand, David, ed. Titian, His World and His Legacy. Titian, Veronese, Tintoretto. Rutherglen, Susannah, and Charlotte Hale, eds.

Francis in the Desert. Giles Limited, London, Salomon, Xavier. Veronese: Magnificence in Renaissance Venice. London: National Gallery Company, Schmidt Arcangeli, Catarina.

Stefano Carboni, — Smyth, Carolyn. Stephen J. Campbell, 19— Boston: Isabella Stewart Gardner Museum, Wethey, Harold E. The Paintings of Titian. London: Phaidon, — Wood, Jeryldene M.

The Cambridge Companion to Piero della Francesca.

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On Leonardo including sculpture and architecture Bambach, Carmen C. Leonardo da Vinci, Master Draftsman. Beck, James.

Brown, David Alan. Leonardo da Vinci: Origins of a Genius. Bull, David. Clayton, Martin, and Ron Philo. Leonardo da Vinci, Anatomist. London: Royal Collection Publications, Dunkerton, Jill. Farago, Claire, ed. New York: Garland, Friesen, Ilse E. Michael A. Cole, 94— The Marvelous Work of Nature and Man.

Kwakkelstein, Michael W. Leonardo da Vinci: The Daedalian Mythmaker. Manca, Joseph. Leonardo da Vinci: The Complete Paintings. Lawrence Jenkens. Meyer, Barbara Hochstetler. Newton, H. Popham, A. The Drawings of Leonardo da Vinci. Martin Kemp. London: Pimlico, Radke, Gary M. Leonardo de Vinci and the Art of Sculpture. Atlanta: High Museum of Art, Syson, Luke. Campbell, — Inventing Leonardo. New York: Knopf, Wasserman, Jack.

Zwijnenberg, Robert. The Draftsman Raphael. Barolsky, Paul. Raphael: The Stanza della Segnatura.

Dacos, Nicole. Josephine Bacon. Ettlinger, L. Evans, Mark, and Clare Browne, eds. Raphael: Cartoons and Tapestries for the Sistine Chapel. Fehl, Philipp P. Fermor, Sharon. Fermor, Sharon, and Alan Derbyshire. Fischel, Oskar. Barnard Rackham. London: Kegan Paul, Forcellino, Antonio. Raphael: A Passionate Life. Lucinda Byatt. Hall, Marcia B. The Cambridge Companion to Raphael.

Oxford: Phaidon, Kleinbub, Christian K. Vision and Visionary in Raphael. Licht, Fred. Landshut: Arcos, — Most, Glenn W. Napoleone, Caterina, ed. Turin and New York: Umberto Allemandi, Nesselrath, Arnold. London: National Gallery, Oberhuber, Konrad. Raphael, The Paintings. New York: Prestel Verlag, Pon, Lisa. Powers, Richard Joseph. Reilly, Patricia L. Rijser, David. Amsterdam: Amsterdam University Press, Rosenberg, Martin. The Vatican Stanze, Functions and Decorations. London: Oxford University Press, Raphael in Early Modern Sources, — Viljoen, Madeleine.

Drawing in Early Renaissance Italy. Bambach, Carmen C. Correggio and Parmigianino: Master Draughtsmen of the Renaissance.

London: The Trustees of the British Museum, Berenson, Bernard. The Drawings of the Florentine Painters. Chapman, Hugo. London: British Museum Cropper, Elizabeth. Gnann, Achim. The Era of Michelangelo: Masterpieces from the Albertina.

Vienna: Albertina, Landau, David, and Peter W. The Renaissance Print: — Speelberg, Femke. The Drawings of the Venetian Painters in the 15th and 16th Centuries. Wilson, Bronwen.

Toronto: Toronto University Press, Sculpture see below for bibliography of Michelangelo Avery, Charles. Florentine Renaissance Sculpture. Bennett, Bonnie A. Kisco, New York: Moyer Bell, Bober, Phyllis Pray, and Ruth Rubinstein.

London: H. Miller, Borgo, Ludovico, and Ann H.

The Sculptures of Andrea del Verrocchio. Carl, Doris.

Turnhout, Belgium: Brepols, Cole, Michael W. Andrea del Verrocchio: Life and Work. Firenze: Olschki, Greenhalgh, Michael. Donatello and His Sources. McHam, Sarah Blake, ed. Looking at Italian Renaissance Sculpture. McHam, Sarah Blake. Janson, H. Horst Woldemar. The Sculpture of Donatello.

Krautheimer, Richard. Lorenzo Ghiberti. London and Philadelphia: H. Italian Renaissance Sculpture. New York: Thames and Hudson, Poeschke, Joachim. Russell Stockman. Essays on Italian Sculpture. The Study and Criticism of Italian Sculpture. Donatello, Sculptor. An Introduction to Italian Sculpture. Schulz, Anne Markham. Seymour, Charles. Sculpture in Italy: — The Sculpture of Verrocchio.

Greenwich and New York: Graphic Society, On Michelangelo Acidini Luchinat, Christina. Christina Acidini Luchinat, 1— Ackerman, James S. The Architecture of Michelangelo. Harmondsworth, England: Penguin Books, Argan, Giulio Carlo. Michelangelo Architect. Marion L. Michelangelo: A Life on Paper. Barnes, Bernadine.

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Brothers, Cammy. Michelangelo, Drawing, and the Invention of Architecture. Michelangelo: A Tormented Life. Allan Cameron. Greenstein, Jack M. Hall, Marcia. Hartt, Frederick. Michelangelo: The Complete Sculpture. London: Thames and Hudson, The Drawings of Michelangelo. Michelangelo and His Drawings. Leader, Anne.

Levine, Saul. Also see N. Nagel, Alexander. Michelangelo and the Reform of Art. New York: George Braziller Incorporated, Spike, John T. Young Michelangelo: The Path to the Sistine. New York: Vendome Press, Paul and the Crucifixion of St. Peter in the Cappella Paolina, Vatican Palace. New York: Oxford University, Wallace, William E.

Sarah Blake McHam, — Wisch, B. Architecture and Urbanism Adams, N. Millon, — New York: Rizzoli, The Renaissance City. Atkinson, Niall. Battisti, Eugenio.

Filippo Brunelleschi: The Complete Work. Robert Erich Wolf. Brown, Beverly Louise. Coffin, David R.

The Villa in the Life of Renaissance Rome. Concina, Ennio. A History of Venetian Architecture. Judith Landry.Stephen J. Sarah Blake McHam, — Zwijnenberg, Robert. Hollingsworth, Mary. The protracted conflict offers a fascinating glimpse into the complex mechanics of patronage in sixteenth-century Florence.

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